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#STORYBOARD PRO 8.5 SERIES#
To make a storyboard, you should produce a series of drawn images that graphically portray the actions described in your brief.
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At this point, you can correct storyboard panels and make important adjustments, rather than change long segments of animation that you have already animated. It will be more effective to face questions of meaning, character development, plot, or film structure at the storyboard stage. In particular, by referring to a storyboard as a kind of road map, the visual guide should to help to flag any potential problems that might appear during production. By its very nature, a storyboard is meant to be flexible, used to refine your ideas as you continue to work with an animated project, over its many production stages. If people react favourably to your plans, you can subsequently move on to designing a storyboard.Īt this point, it is important to give the project a "working title."Ī storyboard is the working guide or visual outline that an animation artist will use in developing narrative ideas, similar to the way a writer will rework successive drafts of a story or play. If they are confused by the draft, you should then listen carefully to their comments and rework your ideas. Once you have composed a first draft of brief, you should then present it to several people. You would be in a better situation if you were to discover creative problems at an early preproduction stage, rather than during the project’s production phase. However, if stumbling blocks appear, you shouldn’t worry: creative struggles are an inevitable part of any design process. In doing so, you will probably discover several apparent limitations within the project (if you cannot clearly decide on a narrative structure for example).
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Include plans for visual treatment, such as inspirational images, reference material, sketches, and prototypesĪs a starting point, you should set aside some time to sit down, go through an idea-generating and writing exercise, and compose a first draft.Describe narration or dialogue (if necessary).Be written in outline form and one or two pages long.What form will the animation take? What technique will you use?Īfter considering the questions, you should organize a short document called a brief.How do you want your audience to react?.Who is meant to see it or who is your audience?.First of all, you should set a few objectives by asking yourself the following, basic questions: Therefore, you must practice a series basic preproduction steps at the beginning of the process, otherwise it is likely that you will run into problems later on, which will undoubtedly bring you grief and frustration.Īs a result, it is important that you put your animation plans through a series of tests and modifications, beginning with a simple outline.
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Projects often require exhaustive amounts of work. Whether a project is complex and involves a long and involved plot line, or if it is quite simple and only requires a short movement phrase, it is important to plan the sequence as much as possible, before you begin to create the animation.